The new ARRI ALEXA 35 has a native 4.6K Super 35 sensor, 17 stops of dynamic range, records native 4K up to 120fps, and is ARRI’s smallest full-feature production camera.

• Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
• Dynamic Range: 17 stops
• Frame Rates: 0.75 – 120fps
• Color Output: Rec 709 | Rec 2020 | Rec 2100 PQ | Rec 2100 HLG | LogC4 | Custom Look (ARRI Look File ALF-4)

The VENICE 2 builds upon the strength of the original VENICE with new features including a compact design, internal recording and the option for two different sensors: the newly developed full-frame 8.6K sensor or the original 6K VENICE sensor.  The VENICE 2 also inherits popular features from the original VENICE including colour science, Dual Base ISO and 8-stops of built-in ND filters.

• 35 mm full size, single-chip CMOS image sensory
• ISO Sensitivity: ISO 800, ISO 3200 (Dual Base ISO)
• FPS: 5.8K 17:9 1–90 fps, 5.4K 16:9 1–90 fps, 5.8K 6:5 1–48 fps, 8.2K 17:9 1–60 fps, 7.6K 16:9 1–60 fps, 8.6K 3:2 1–30 fps
• Recording Format: X-OCN XT/ST/LT

Featuring a sensor slightily larger than full frame, ALEXA LF records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150fps, encompass all on-set workflow requirements.

The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises.

• 19.9MP Super35 Global Shutter CMOS
• Up to 6K40, 5K48, 4K60 & 2K120 Recording
• REDCODE RAW HQ/MQ/LQ & Apple ProRes
• Color Output: Rec 709 | Rec 2020 | Rec 2100 PQ | Rec 2100 HLG | LogC4 | Custom Look (ARRI Look File ALF-4)

The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.

• 35 mm full-frame, single-chip CMOS image sensor
• The sensor also has a dual base ISO of 800 & 4000
• Gamma Curve: S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
• Genlock and timecode built into the body now, no more need for the XDCA

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

• 4:3/16:9 switchable active sensor area with the option of recording internal ARRIRAW
• 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
• Electronic shutter, 5.0° to 356.0°
• Built-in motorized ND filters 0.6, 1.2, 2.1
• 2.3 kg/5 lbs (camera body with titanium PL lens mount)

ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag.

• 16:9 Sensor (Exact Same Sensor as Other 16:9 ALEXA’s)
• 2K/1080 Rec 709/Log C using ProRes LT, 422, 422HQ, or 444 codecs
• Up to 200fps at ProRes 4444
• Internal ND filters

All ALEXA XT cameras come with the new XR Module (Xtended Recording), a side panel that was co-developed with Codex to replace the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged 512 GB XR Capture Drives.

In addition to ARRIRAW it is also possible to capture ProRes or DNxHD to an XR Capture Drive for significantly longer recording times as well as ProRes 4444 recording at 120 fps. ProRes 4444 at 24 fps can be recorded for a total time of 107 minutes.

For the most effective use of anamorphic lenses, each ALEXA XT model is equipped with a 4:3 sensor of the same size and shape as a Super 35 mm film frame.

The Phantom Flex 4K is a full-featured digital cinema camera, capable of speeds that range from standard frames up to 1000 frames per second at 4K and almost 2000 frames per second at 2K.

• 4096 x 2160 @ 1000 fps
• 1920 x 1080 @ 1975 fps
• 64gb internal RAM
• 1TB CineMag IV
• 6.3kg